![]() ![]() He not only simplified the ghazal but also made it hummable. Jagjit handpicked verses of Urdu stalwarts like Mirza Ghalib, Mir Taqi Mir, Daagh Dehlvi right upto Nida Fazli, gave them a raga-based richness along with modern instrumentalisation and set human angst to tune. They spoke of the rites of passage – of love and longing, dreams and dejection, hope and spirituality. What truly has made them ‘unforgettable’ (also the name of their largest selling album) was the fact that their renditions were not merely about sharab, shabab and shama. ![]() In the annals of Indian music the husband-wife duo will be eulogised for retrieving the ghazal from the durbars of the nawabs and bringing it in our homes. ![]() The songs were based on classical music, such as in (1983), for which both Ilaiayaraaja and S.P.B won, (1986) and (1988) which again won National Awards for Ilaiyaraaja and Balasubrahmanyam.In 1989, Balasubrahmanyam was the playback singer for actor in the blockbuster. His first work in Hindi films was in the following year, in (1981), for which he received another.Balasubrahmanyam began to record more songs in Tamil, especially for with, the trio considered to be highly successful in the Tamil film industry from the late 1970s and throughout the 1980s. Balasubrahmanyam received his first for his work. Not a classically trained singer, he used a 'film music' aesthetic in recording the songs. Directed by, the film's soundtrack was composed by, and led to an increase in the usage of in Telugu cinema. The film is considered to be one of the best films ever to emerge from the film industry. Balasubrahmanyam pictured in 1985Balasubrahmanyam came to international prominence with the 1980 film. ![]()
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